|
Way Art West has
produced many commissions and tours, both under its own auspices and on
behalf of clients.
Working with budgets of
up to £250,000, brokering complex partnerships and managing teams
of 30, Way Art West has managed commisisions and tours from inception
to delivery as tours, festivals or street events.
With particular
experience in non mainstream music below are some of the projects
managed.
|
|
Buika /
Chambao
Tours produced on behalf of WAW agency.
Since 2001 Way
Art West has produced tours and commissions on its own behalf. With a
knack for finding new talent and delivering major tour and media
success, it has developed strong links with Spanish acts. Two recent
tours featured the most popular re-interpreters of flamenco;
electro-pop flamenco fusionists Chambao and
flamenco jazz sensation Buika.
Neither artist was know in the UK but effective media campaigns
delivered substantial audiences and press interest including a World
Music Award nomination for Buika in 2009
Way Art West
fund raised, brokered relations between artist, record company funding
bodies and PR. Additionally it booked, and produced the tour from
preproduction, contracting handling all UK tax and permit
matters.
|
|
|
Imagined Village
Taking Simon Emmerson's re-imagining of English
tradition from the studio to the concert stage.
Running from
November 2006 until January 2008 this complex commission was managed on
behalf of Music Beyond Mainstream. In order to deliver funding was
sought and delivered by Arts Council and South West Screen.
Additionally partnership and financial commitment was delivered by
WOMAD, Realworld Records and The South Bank Centre
The project had
a total of twenty eight personnel including artist and crew. On stage
the line-up included Martin and Eliza Carthy,
Billy
Bragg, Sheila
Chandra, Chris Wood and the Copper Family.
With members of The
Dhol
Foundation, Transglobal
Underground and Afrocelt Sound System,
the band
was completed with film contributions from John Copper and Benjamin
Zephaniah.
From initial
rehearsal at the Realworld Studios in Wiltshire, the live show
incorporated folk, electronica and filmed elements, making it the one
of the most complex world music show to tour in recent years. By
securing the funding and support of the partners, the show was
premiered to critical and audience acclaim at WOMAD in July 2007,
touring the concert hall circuit including Brighton Dome, Bridgewater
Hall Manchester and Sage Gateshead culminating in a packed house at
London's Royal Festival Hall.
|
|
|
Women of Cape Verde / Palop Africa
Palop
Africa and Women of Cape Verde introduced UK audiences to the music of
Portuguese speaking Africa and in the process launched the
international careers of Manecas Costa and Lura
This long term
touring and artist development project comprised album releases,
touring and broadcast. Initially funded by a grant from the Portuguese
Arts Trust, research was carried out into the African music scene in
Lisbon. From this research contacts were established and a revue style
band created that was fronted by well known artists from Mozambique,
Angola, Guinea Bissau and Cape Verde. After rehearsals, in Lisbon a UK
tour took place visiting 10 cities. To coincide with the tours records
were released including the album Palop Africa compiled by Way Art West
and released in the UK on Sterns records.
Following on
from these tours two artists careers were launched in the UK. After
completing his UK debut with Palop Africa project Way Art West
represented Manecas
Costa. This resulted in negotiations and the
signing of a recording contract with BBC Worldwide. Lura who first
toured the UK as part of Women of Cape Verde was featured on the front
cover of The Times Knowledge and received two nominations in the BBC
world music awards. Her debut tour sold out in most venues.
|
|
|
Crossing the Tracks
Platforming performance and
music from Britain's diverse communities in the
Southwest, turning Colston Hall into a festival site
Way Art West
successfully raised funds from the Arts Council England for a project
at Bristol’s Colston Hall; the first time that the venue had received
project funding from ACE. This was for the mini festival Crossing the
Tracks a show case event fro Britain’s culturally diverse performing
arts. The event spread over two days also provided the venue with many
experimental ways to present performance in a variety of spaces,
including the opportunity to run two performances simultaneously,
performance in the round and cabaret.
On the club
night performers included Sister India, DJ Erik Soul and
DJ
Pathaan and Netsayi.
The Jazz night included and Andy
Hamilton and the Bluenotes
and Dele Sosimi’s
Afrobeat Orchestra.
|
|
|
Bristol Night Safe
Multi media club night
reclaims the
streets for 6000 in Bristol
Nightsafe was
an open air club night in the heart of Bristol’s old financial
district, which was now home to many of Bristol’s clubs. Funded under
an initiative from the home office to make city centres safer, we took
the decision to hit club culture head on with an event that brought
people into the centre whilst appealing
Bristol’s Blackout Arts
provided the visuals, projecting film and moving images onto buildings
with VJ The
Ombudsman mixing images. Live featured I am the Mighty
Jungulator and Hextatic; their
drum and bass workout of Nancy Sinatra’s These Boots are Made for Walking
was a site to behold!
The event
attracted in excess of 6000 people through the night mixing regular
town centre punters with an eclectic group of Bristolians from other
parts of the city. A safe night of fun and frolics.
|
|
|
Eddie Palmieri / Spanish Harlem Orchestra
Tour Management and
Productiont
Way Art West
has produced and toured artists on behalf of a range of clients taking
work into clubs, concert halls and fesitvals.
|
|
News and
Archives

News

Archive
stories

Image archive
|
|